
31 days of .tiff, Museum of Photography (FOMU), Antwerp, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

Lodgers: Performing the book, M HKA, Antwerp, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

Lodgers: Performing the book, M HKA, Antwerp, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

A Proposal to Extract K2 Megalith From The Ravne Complex, Komplot, Brussels, 2017

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018

Comment on a refusal, Graduation exhibition, School of Arts, Ghent, 2018


Megalith, Gaillard & Claude, Thomas Nolf and Gauthier Oushoorn
Books and Objects , P/////AKT, Amsterdam, ©Valeria Marchesini
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“ [...]your photographs are very beautiful, but I’m not very happy, as you could guess, with the way you present the ‘pyramids’ as a legitimate archaeological project, and show real archaeological artefacts hijacked in order to fit in the ‘pyramid’ chimera[...] ”
— anonymous opponent of the 'bosnian pyramids' -
“ Thank you very much for your letter with the new ideas related to “Bosnian pyramids”. In the hills around Visoko I do not see any “relevant heritage”. For this reason I am not at all interested to participate in the proposed discussion. Please respects this attitude and do not contact me again with this topic. ”
— anonymous archaeologist -
“ The idea about the exhibition sounds interesting, but frankly, I think that you chose the only venue that is wrong for it. Having very extensive ‘local knowledge’ of that area I can tell you that putting the exhibition in the Zemaljski Museum (especially in the still empty prehistoric wing) would be understood wrongly by the locals as a ‘confirmation’ that the pyramids really exist, regardless of the approach the exhibition might have. ”
— anonymous archaeologist -
“ Did you receive my email regarding my exhibition proposal?”
- “We never answer emails with the letter ‘p’ of pyramids ”— Conversation with employee of the National Museum of Bosnia and Herzegovina during the 130th anniversary festivities